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The Art of Synth Soloing: Sweep Dual Filters for Soaring Sounds
6.14.2012 6:53:00 PM
LAST MONTH WE STARTED EXPLORING FILTER TYPES AND DOING BASIC SWEEPS.
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Power Warm-Ups
6.14.2012 6:00:00 PM
I’VE WORKED OVER THE YEARS TO DEVELOP A PROGRAM OF WARM-UPS THAT ENGAGE AS MANY of the muscles used in keyboard playing as possible.
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Clave Concepts
6.14.2012 5:00:00 PM
I’VE ALWAYS BEEN FASCINATED BY THE PERCUSSIVE ELEMENTS OF LATIN JAZZ, SO IT WAS natural for me to adapt the ideas emanating from its potent percussion section to the piano.
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Live on a Laptop: Top Tips for Hassle-Free Gigs With Virtual Instruments
5.8.2012 4:00:00 PM
CONSIDER TWO IMPORTANT RULES OF USING VIRTUAL INSTRUMENTS LIVE:
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The Art of Synth Soloing: Filter FUNdamentals
5.8.2012 4:00:00 PM
SINCE WE LAUNCHED THS COLUMN IN DECEMBER 2011, WE’VE COME A LONG WAY in exploring pitch-related performance techniques.
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Monster Leads Part 2
5.8.2012 4:00:00 PM
LAST MONTH, WE LOOKED AT A CLASSIC APPROACH TO MAKING MONSTER LEADS VIA LAYERING AND blending multiple synths playing the same riff.
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Hand Independence in Improvisation
5.8.2012 2:00:00 PM
ART TATUM ONCE TOLD A YOUNG, BOASTING BUD POWELL, “LOOK, YOU COME IN HERE TOMORROW, and anything you do with your right hand, I’ll do with my left!”
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The Fine Art of Phrasing
5.8.2012 2:00:00 PM
PHRASING IS AN OFTEN OVERLOOKED BUT INCREDIBLY IMPORTANT ASPECT OF KEYBOARD performance, where two worlds merge: science and emotion.
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Monster Leads, Part 1
4.18.2012 3:00:00 PM
A TIME-TESTED TECHNIQUE FOR CREATING A MASSIVE SOUND IS TO KEEP YOUR OVERALL TRACK VERY simple and focus on three components: punchy drums, bombastic bass, and a simple but massive lead riff that remains interesting throughout
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The Art of Synth Soloing: Pitch-Bend as Manual Vibrato
4.18.2012 2:47:00 PM
IN OUR DECEMBER 2011 COLUMN, WE INTRODUCED USING AN LFO TO PRODUCE vibrato.
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Think Like a Section
4.17.2012 7:00:00 PM
KEYBOARDISTS HAVE AN INHERENT UNDERSTANDING OF CHORD CONSTRUCTION AND HARMONY.
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Strategies for Supporting Singer-Songwriters
4.17.2012 7:00:00 PM
FEW GIGS ARE MORE CHALLENGING AND REWARDING FOR A KEYBOARDIST THAN PLAYING BEHIND singer-songwriters.
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Improvise With Intervals
4.17.2012 7:00:00 PM
INTERVALLIC IMPROVISATION LEADS TO A MORE INDIVIDUAL STYLE OF PLAYING.
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The Art of Synth Soloing: Beyond the Whole-Step Bend
4.9.2012 7:38:00 PM
LAST MONTH WE STARTED TO EXPLORE SOME REPEATED NOTE EXERCISES, learning to play a “real” note and then repeating it with a bent note.
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French Twists
4.9.2012 7:00:00 PM
ONE OF ELECTRONIC DANCE MUSIC’S MOST VIRAL VIDEOS IN 2011 WAS “POP Culture” by French whiz kid Madeon.
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Salsafy Your Sound!
Salsafy Your Sound!
Salsafy Your Sound!
Salsafy Your Sound!
Jazz Arranging for Keyboardists
Do you employ soft synths as part of a live performance rig?
Yes, soft synths are what I mainly use.
Yes, as an adjunct to a mainly hardware keyboard rig.
No, I gig strictly with hardware synths, digital piano, etc.
No, because I don't perform live.
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