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World Wide Collaboration

| August, 2007

Scenario 1: You’ve nearly finished producing a killer track. All it needs is a screaming eight-bar organ solo, but when it comes to your keyboard work, you’re more of a Trent Reznor than a Joey Defranceso. Oh, and your deadline is in 48 hours and you don’t know any organ cats who live locally. Scenario 2: Your ca

Scenario 1: You’ve nearly finished producing a killer track. All it needs is a screaming eight-bar organ solo, but when it comes to your keyboard work, you’re more of a Trent Reznor than a Joey Defranceso. Oh, and your deadline is in 48 hours and you don’t know any organ cats who live locally.

Scenario 2: Your car broke down in Nashville and your band’s in New York, preparing for the Biggest Gig Ever. You have a laptop and MIDI controller, the hotel has Internet, and you all need to go over that tricky outro before stepping onstage. About 100 times.

Scenario 3: Your keyboard idol gives lessons and you’re dying to hear his or her thoughts on reharmonizing that great ballad you just wrote. If only you both lived in the same city. . . .

Scenario 4: You have to prep for exams, can only take ten minutes here or there to do anything that doesn’t involve cramming, and love blowing off steam by making music. It sure would be nice if you could find a way to get your jam on without leaving your room during those precious study breaks.

Scenario 5: You love making music, period. You want to try something new and work with cool, innovative folks around the world.

Thanks to a growing list of increasingly sleek Internet-based music collaboration tools, a high-speed connection and a little know-how will take you a long way towards solving each of these conundrums. And from hobbyist to professional applications, the list of cool ways to augment your music-making with the Web could go on for pages.

Turnaround is rapid and ruthless in the e-world, and new collaboration portals and utilities seem to burst into existence with surprising speed and regularity, while others fade into darkness just as quickly. Rather than trying to cover every music-making hub on the Web as of publication, we’ve instead chosen to give you a cross-section of diverse, intriguing resources that will help you get your feet wet in the ocean that is online collaboration. From the most basic Web utilities to the most streamlined all-in-one sites, the services featured here offer amazing possibilities when it comes to music creation, and we hope you’ll find inspiration to take a dip and give at least one of them — or something similar — a try.

In traditional Keyboard fashion, we walked the walk before writing the talk; read on to find out what we learned by getting dirty with each tool, and how each Internet collaboration apparatus helped or hindered our creative processes. Much of what we discovered transcends any individual service or utility, and will apply to any type of Web collaboration you may attempt.

In the following articles (linked in the sidebar to the right), you’ll find:

Put ’Em Up


Veteran session cat Scott Healy has been using FTP sites to make music remotely for years. With the right tools and a little homework, you too can trade large files, interface with clients, and work with collaborators, regardless of location.

Do It Yourself . . . With Others


Using Max/MSP and Pure Data, Peter Kirn opens up the world of completely customized tools for networked music creation.

Wisdom from Afar


Jazz pianist extraordinaire Andy LaVerne gives lessons to students around the world using the Internet. Here’s what you need to know to get started teaching or learning on the Web.

Space Jam


Put the speaker-phone in the drawer — there’s a better way to cut away the miles and jam with players who don’t live nearby. Michael Gallant and members of the Keyboard community take eJamming for a spin.

The People’s Republic of Groove


Post your own project or play on other people’s tracks; Mitchell Sigman gets cozy with the social networking, e-commerce, and realtime teamwork hybrid portal, DigitalMusician.net.

Floops Well With Others


For electronica and beyond, get started collectively crafting tracks online using FL Studio’s Collab tool. Peter Kirn shows you how.

Free Trade Funk


The old way required lots of phone calls, schedules, hotel rooms, airplane tickets, studio reservations, and prayers that everything would work out. The new way to record with top session players of your choice involves a web browser, your credit card, and eSession.com. Michael Gallant takes a song from the first rough demo to the polished master.

To Infinity and Beyond!


Check out these links for more online collaboration possibilities.

Universal Wisdom


Regardless of the way you use the Net to collaborate, a few principles apply to almost anything you’ll do.

Get the fastest, most stable web connection you can.
Especially if you’re attempting real-time collaboration or plan to transfer large files, speed is everything. In most cases, unless you have infinite patience or no other option, dial-up is just a bad idea. Regarding stability, go with the most reliable service and provider that’s available to you. We advise avoiding a satellite Internet connection; several of the outstanding players who worked with us on this feature had trouble receiving consistent, high-bandwidth service due to inclement weather.

Back up everything.
Regardless of how robust any particular website or utility may be, things can — nay, will — always go wrong. If you care about anything that’s posted or stored online, make sure you have at least one copy safely stored and easily accessible in your workspace. Here at Keyboard Central, we find that high-capacity, keychain-friendly flash drives are just great.

Update your hardware and software.
You don’t need the most recent (a.k.a. expensive) CPU to get the most out of online collaboration. Keeping your DAWs, Web browsers, OS, Java utilities, Flash, and other media players current, though, will go a long way towards streamlining any online collaboration you may attempt.

Stay in contact.
If you trust the folks you’re collaborating with, line up redundant ways of getting in contact, in case something goes awry with your conduit of choice.

Listen and communicate.
Since you’re not face-to-face with your collaborators, you may need to be extra clear and conscientious in your communications. Do your best to have a thick skin and be nice and direct, regardless of the type of interaction.

Be up front about money and ownership.
If cash is possibly involved in your collaboration at any point, make sure you lay down the groundwork at the beginning. ’Cuz getting sued for copyright infringement by some dude in Belgium is not a fun way to spend your time. Try to get any agreements or negotiations in writing. Many sites have established avenues for dealing with money and ownership arrangements.

Learn the culture.
People behave differently on Second Life than they do on an online dating site; MySpace and Facebook each have their own flavors of interpersonal interaction. Be aware of how people interact through whatever conduit you use and do as the natives do.

 

Keyboard Magazine is part of the Music Player Network.