“Hip Side” by Yosvany Terry Cabrera

In measures 20–22, notice how the Cuban pianist makes it a point to repeat notes within the same run. Though not many jazz pianists play this way, these note choices are most definitely intentional — read Jon Regen’s interview with Gonzalo on page 20 where they discuss this very technique. Also, be sure to listen to the original recording to understand the true impact of Gonzalo’s note repetition; to our ears, not only does it stand out as unique, but it also gives his lines an overall power and harmonic grounding we haven’t heard elsewhere.

Listening to the Avatar recording will also show you just how much Gonzalo’s phrasing makes these lines and chords sing. Whether articulating certain notes in his runs or playing just enough behind the beat, he adds so much more meaning to the piece than the notes themselves can communicate.

To help you wrap your head around Gonzalo’s solo, check out Andy LaVerne’s lessons:

www.keyboardmag.com/article/deconstructing-gonzalo/may-08/35473

www.keyboardmag.com/article/changing-colors/may-08/35471

www.keyboardmag.com/article/guiding-tones/may-08/35469

These files correspond to the lessons and Hot Solo transcription starting on page 36 of the May ’08 issue of Keyboard. All files performed by Scott Healy. Transcribed by Tom Brislin.

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