Greg Calbi on What Not To Bring to the Mastering Guy
By Jon Regen
Wed, 23 Mar 2011
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Greg Calbi is one of the most prolific mastering engineers in the business. You can see his long list of credits here. Recently, I got to drop by his studio in New York City to peek inside a world that's often mysterious to us rank-and-file musicians: mastering. The tour of lust-worthy high-end audio gear was one thing: Most keyboard-based project studio folks can't afford all this stuff, so being able to take advantage of it is partly what mastering experts are for. More importantly, they provide a fresh pair of ears that listens in a way that's very different from you and I as artists, or even the mixing engineer if you didn't mix your project yourself.

In the third and final video in this set, Greg provides some invaluable advice about what NOT to do to your mix before you send it out for mastering. Finishing a recording project? Ignore his wisdom at your own peril.

Can't see the videos below? CLICK HERE.

 

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Which players influenced your keyboard playing the most?
 Prog rockers like Keith Emerson and RIck Wakeman
 Hammond organists such as Jimmy Smith, Booker T, and Jack McDuff
 Synth pop masters like Vince Clarke and Nick Rhodes
 Psychedelic rockers like Ray Manzarek of the Doors
 Rock piano songwriters like Elton John and Billy Joel
 Jazz pianists like Bill Evans and Keith Jarrett
 Classical pianists like Van Cliburn and Vladimir Horowitz
 None of the above

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