Seventeen-year-old soul/jazz keyboardist Cale Hawkins is an old pro
at a young age. The high school senior from Bemus Point, New York,
has played keyboards since age ten, records and markets his own indie
releases, and has already performed at storied venues like Ohio’s Rock
and Roll Hall of Fame and B.B. King’s in Memphis, Tennessee. He heads
to Berklee College of Music in Boston next year, where he hopes to
create an entirely new genre of music. Find out more at calehawkins.com
and twitter.com/calehawkins.
First memory of hearing piano or keyboards and being
intrigued: My grandparents and parents always had a wide variety
of music playing on their stereos. The first time I heard keyboards must
have been in Beatles tracks at around age two. “Good Day Sunshine”
and the piano solo in “In My Life” always intrigued me.
Musical heroes: My biggest influence as a keyboardist would have
to be Herbie Hancock, yet I draw from artists like Soulive, the Roots,
Art Tatum, Thelonious Monk, Chick Corea, Donny Hathaway, and
Stevie Wonder.
Why keyboards? Although I play guitar, bass, and drums, I focus on
keyboards because so many aspects of them appeal to me. I love the freedom
to play any note in an eight-octave range, and you don’t have to
worry about timbre or embouchure as with other instruments. I also like
how there are so many different keyboards that each have a unique sound—
I enjoy playing Rhodes, Hammond B-3, and Clavinet in addition to piano.
Favorite style to
play? I enjoy soul music
the most, but jazz is definitely a close second.
How important is traditional music training? Extremely so, in
my opinion. After studying theory for several years, it gives you a sixth
sense about music. It’s great to hear chord changes in songs and be able
to say, “Oh, that’s the minor five chord to the root seventh, to the fourth,
then it’s heading to the five chord with a flat ninth.”
Read or play by ear? Although I can read music, I enjoy playing
by ear more.
Keyboards owned/wanted: My favorite keyboard would have to
be my Yamaha Motif. My dream keyboard? An original Fender Rhodes.
I’d love to have that authentic ’70s sound.
Role technology plays in your music: I’m proficient in Pro
Tools, Logic, and Reaper, and have produced, engineered, and marketed
two all-original albums on which I play all the instruments.
I constantly use these programs for demo ideas as well. Keyboard
technology is also huge—my Motif provides several hundred tones,
and I love my new Hammond XK-1’s emulation of the classic B-3
sound.
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