BMacLeBarBat_nrI’m in two bands and also take hired-gun gigs. I’m lucky to have accumulated over 90 keyboards and rack modules from which to build rigs for a specific purpose—good job, Keyboard advertisers!

For my ELP-style band MTR, I use a Yamaha Motif ES7 and a Korg CX-3, which has the “organ power-down” sound I can trigger with a pedal. I use a Roland JD-800 and a Minimoog Voyager Anniversary Edition, and I work the knobs on both for the whole show. An M-Audio Oxygen 8 is MIDI’ed to the Voyager, extending its key range to hit the low notes in “Tarkus.” For getting out front, the Casio AZ-1 is my favorite keytar due to its aftertouch and left-hand controls layout. I bring out a vintage Minimoog and Multimoog for choice gigs.

Then there’s Last Licks, a classic rock group in which I use a Hammond XK-2 because it really nails the Jon Lord sound, and I can almost get a Vox Continental out of it for Doors-style playing. In this band, I need quick sound changes more than realtime control, so a 73-key Korg M3 with the Radias expansion really delivers with its splits and layers. Then, it’s a Roland VK-1000 MIDI’ed to a Yamaha Motif Rack, and a Korg MS2000 for its button layout and easy sound manipulation. Bruce MacPherson

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Which players influenced your keyboard playing the most?
 Prog rockers like Keith Emerson and RIck Wakeman
 Hammond organists such as Jimmy Smith, Booker T, and Jack McDuff
 Synth pop masters like Vince Clarke and Nick Rhodes
 Psychedelic rockers like Ray Manzarek of the Doors
 Rock piano songwriters like Elton John and Billy Joel
 Jazz pianists like Bill Evans and Keith Jarrett
 Classical pianists like Van Cliburn and Vladimir Horowitz
 None of the above

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