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Steinberg Ships The Grand 3

Steinberg Media Technologies GmbH is pleased to announce that its much-anticipated major update to The Grand is now shipping to resellers worldwide. The Grand 3 offers the sound of three legendary concert grands, as well as leading electric and upright pianos, all recorded in outstanding quality with two microphone positions in up to 20

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Native Instruments
Berlin, November 16th, 2009 -
Big FIsh Audio
Studio Guitars: The Michael
Poly Evolver
HALF MOON BAY,

More Than A Heartbreaker: Benmont Tench on

“F***ing play it! We’re musicians. We’re in the Rock and Roll Hall of Fame. Play your f***ing guitars!” legendary keyboardist Benmont Tench cries out to his fellow bandmates in a scene from the recent four-hour, career-spanning Tom Petty and the Heartbreakers documentary Running Down A Dream. One visit to Tench’s discography page at

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Crystal Method:
Imagine this scenario: You’ve
Imogen Heap: The
 Much has been said
Simian Mobile
SMD first got our attention

Boogie Down!

Before rock ’n’ roll, there was boogie-woogie. Without boogie, we wouldn’t have Little Richard, Johnnie Johnson, or Jerry Lee Lewis — or half of New Orleans piano music and most of blues. If you play a lot of jazz, you might be uncomfortable with boogie’s rigid left hand, and perhaps the swing feel will seem too restrictive at first.

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Tom Petty And The
Tom Petty made it clear that
Voicing With Fifths
You’ve probably voiced chords
Whole Tone Tips,
Last month, we dove into the

Digidesign Pro Tools 8: Engineer’s Workhorse Gets

Pro Tools has become a standard in so many studios that there’s always anticipation surrounding any upgrades. Digidesign bills Pro Tools 8 as one of the most significant upgrades yet, and after working with it on multiple projects (including a Bach harpsichord CD by Kathleen McIntosh), I’d have to agree. [Click image above for extra-large

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FXpansion DCAM
For a few glorious years in
UI Software
When it comes to secret
Bring The Noise
In previous Dance Mix columns, we’ve covered white noise as a tool
What's your biggest obstacle to using soft synths live onstage?
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